"Six epigraphes antiques, L. 131: 5. Pour l'égyptienne" by Valeria Szervánszky, Ronald Cavaye was released on January 7, 1995. The duration of Six epigraphes antiques, L. 131: 5. Pour l'égyptienne is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Six epigraphes antiques, L. 131: 5. Pour l'égyptienne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Stravinsky: Le Sacre du printemps". In this album, this song's track order is #19. Six epigraphes antiques, L. 131: 5. Pour l'égyptienne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six epigraphes antiques, L. 131: 5. Pour l'égyptienne by Valeria Szervánszky, Ronald Cavaye having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Canciones populares españolas: No. 5, Nana (Arr. Halffter) | Manuel de Falla, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Duo concertant: I. Cantilene | Igor Stravinsky, Jennifer Frautschi, Jeremy Denk | G Minor | 2 | 6A | 87 BPM | ||
Ma mère l'oye, M. 60: 1. Pavane de la Belle au bois dormant | Valeria Szervánszky, Ronald Cavaye | A Minor | 0 | 8A | 135 BPM | ||
Album for the Young, Op. 39: No. 1. Morning Prayer (Priere du matin) | Pyotr Ilyich Tchaikovsky, Luba Edlina | D Major | 0 | 10B | 138 BPM | ||
Piano Concerto No. 2 in A Major, Op. 1, No. 2, H. 8A: II. Allegro vivace | John Field, Benjamin Frith | A Major | 1 | 11B | 183 BPM | ||
Where Beauty Dwells, Op. 21 No. 7 - How Fair This Spot | Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta | F♯ Minor | 0 | 11A | 131 BPM | ||
Piano Sonata In F Minor, P. 16: I. Allegro | Ottorino Respighi, Konstantin Scherbakov | D♭ Major | 1 | 3B | 67 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM |
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