Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow's 'Quatre Motets: Tu es Petrus' came out on 1989. With Quatre Motets: Tu es Petrus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. Quatre Motets: Tu es Petrus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Motets: Tu es Petrus by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
For lo, I raise up, Op. 145 | Charles Villiers Stanford, Oliver Albert, Sophia Halberstam, Queens' College Choir, Cambridge, Silas Wollston | D♭ Major | 2 | 3B | 170 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
As Torrents in Summer | Edward Elgar, Rodolfus Choir, Ralph Allwood | E♭ Major | 0 | 5B | 138 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM |
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