Symphony, "Mathis der Maler": Engelkonzert: Ruhig bewegt - Ziemlich lebhafte Halbe - Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker Information

Acousticness: 92%
Danceability: 22%
Energy: 3%
Instrumentalness: 52%
Liveness: 9%
Loudness: 55%
Speechiness: 4%
Valence: 4%
Popularity: 3%
Loudness: -27.002 dB

Summary

"Symphony, "Mathis der Maler": Engelkonzert: Ruhig bewegt - Ziemlich lebhafte Halbe" by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker was released on January 4, 1995. Since Symphony, "Mathis der Maler": Engelkonzert: Ruhig bewegt - Ziemlich lebhafte Halbe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Franz-Paul Decker's "Hindemith: Mathis Der Maler / Symphonic Metamorphosis" album is number 1 out of 10. In terms of popularity, Symphony, "Mathis der Maler": Engelkonzert: Ruhig bewegt - Ziemlich lebhafte Halbe is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony, "Mathis der Maler": Engelkonzert: Ruhig bewegt - Ziemlich lebhafte Halbe BPM

We consider the tempo marking of Symphony, "Mathis der Maler": Engelkonzert: Ruhig bewegt - Ziemlich lebhafte Halbe by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Symphony, "Mathis der Maler": Engelkonzert: Ruhig bewegt - Ziemlich lebhafte Halbe Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Lark Ascending: IV. Senza misura	Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor	D Minor	2	7A	90 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	105 BPM
Divertimento for Strings, BB 118 (Sz.113): III. Allegro assai	Béla Bartók, Orpheus Chamber Orchestra	B♭ Major	1	6B	105 BPM
4 Pieces, Op. 51: 2. Prélude	Alexander Scriabin, Evgeny Kissin	F Major	0	7B	75 BPM
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered	Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra	F Major	1	7B	119 BPM
Stravinsky: 3 Pieces for Solo Clarinet: No. 3	Igor Stravinsky, Sabine Meyer	E♭ Major	1	5B	137 BPM
Java Suite: Part I: I. Gamelan	Leopold Godowsky, Konstantin Scherbakov	D Minor	0	7A	88 BPM
8 Stücke für Flöte allein: No. 7, Rezitativ	Paul Hindemith, Stathis Karapanos	G Major	0	9B	113 BPM
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio	Sergei Prokofiev, Yuri Temirkanov	E Minor	0	9A	99 BPM
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante	Johannes Brahms, London Philharmonic Orchestra, Marin Alsop	F♯ Major	3	2B	125 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9273910522460938

End: 0.9307012557983398