The Girl from Marseille, Op. 17: VI. Variation VI. (Andante)
Steve Elcock, Tippett Quartet
Steve Elcock: Chamber Music, Vol. 2: String Quartets
1:59 April 7, 2023
BPM
62
Key
E Minor
Camelot
9A

Embed

Share Link

The Girl from Marseille, Op. 17: VI. Variation VI. (Andante) - Steve Elcock, Tippett Quartet Information

Acousticness
94%
Danceability
24%
Energy
8%
Instrumentalness
10%
Liveness
15%
Loudness
61%
Speechiness
5%
Valence
8%
Popularity
Loudness
-23.596 dB

Summary

"The Girl from Marseille, Op. 17: VI. Variation VI. (Andante)" by Steve Elcock, Tippett Quartet was released on April 7, 2023. With The Girl from Marseille, Op. 17: VI. Variation VI. (Andante) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Steve Elcock: Chamber Music, Vol. 2: String Quartets". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The Girl from Marseille, Op. 17: VI. Variation VI. (Andante) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Girl from Marseille, Op. 17: VI. Variation VI. (Andante) BPM

With The Girl from Marseille, Op. 17: VI. Variation VI. (Andante) by Steve Elcock, Tippett Quartet having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Girl from Marseille, Op. 17: VI. Variation VI. (Andante) Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Strauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the Grave by Richard Strauss, Wolfgang Sawallisch, Philadelphia OrchestraStrauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the GraveRichard Strauss, Wolfgang Sawallisch, Philadelphia OrchestraF♯ Minor111A61 BPM
Debussy: Prélude à l'après-midi d'un faune, L. 86 by Claude Debussy, Bernard Haitink, Royal Concertgebouw OrchestraDebussy: Prélude à l'après-midi d'un faune, L. 86Claude Debussy, Bernard Haitink, Royal Concertgebouw OrchestraA♭ Minor01A93 BPM
Falstaff, Act III: Finale. Falstaff, Act III: Finale. "Tutto nel mondo è burla" (Arr. E. Kunzel & C. Beck)Giuseppe Verdi, Cincinnati Pops Orchestra, Erich KunzelC Major28B118 BPM
Fantasy in C Major, Op. 15, D. 760, Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie" (arr. C. Koechlin): II. AdagioFranz Schubert, Charles Koechlin, Florian Hoelscher, Stuttgart Radio Symphony Orchestra, Heinz HolligerD♭ Minor012A74 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante (1) by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenSymphony No. 3 in F Major, Op. 90: II. Andante (1)Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenF Major07B67 BPM
Chants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude CasadesusChants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water)Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude CasadesusG Major19B186 BPM
Massenet: Don Quichotte, Act 2: Interlude by Jules Massenet, Michel Plasson, Orchestre National Du Capitole De ToulouseMassenet: Don Quichotte, Act 2: InterludeJules Massenet, Michel Plasson, Orchestre National Du Capitole De ToulouseG Minor06A78 BPM
Night after Night, Op. 27: II. Pavor Nocturnus by Steve Elcock, Tippett QuartetNight after Night, Op. 27: II. Pavor NocturnusSteve Elcock, Tippett QuartetD Minor37A116 BPM
Nostalgia by José Siqueira, Guilherme Andreas, Gianne Ge ZhuNostalgiaJosé Siqueira, Guilherme Andreas, Gianne Ge ZhuA♭ Minor21A74 BPM
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo JärviPelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi AllegrettoGabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo JärviG Major09B129 BPM
ISRC
GBJZY2368811
Label
L-M Records/RCA Records

Section: 0.6484558582305908

End: 0.6536705493927002