Lord Berners, Meriel Dickinson, Peter Dickinson, Ernest Irving, Philharmonia Orchestra made "Come on Algernon" available on November 15, 2016. The duration of Come on Algernon is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Come on Algernon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 68 in the song's album "The Lord Berners Collection". In this album, this song's track order is #27. In terms of popularity, Come on Algernon is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Come on Algernon by Lord Berners, Meriel Dickinson, Peter Dickinson, Ernest Irving, Philharmonia Orchestra having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella-Suite Nr. 1, Op. 107: VI. Cinderella Goes to the Ball | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
Cupid and Psyche: Concert Suite: II. Psyche | Lord Berners, RTE Sinfonietta, David Lloyd-Jones | A♭ Major | 0 | 4B | 72 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | C Major | 0 | 8B | 114 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: Var. I. Un poco più mosso | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 66 BPM | ||
Cupid and Psyche: Concert Suite: I. Overture | Lord Berners, RTE Sinfonietta, David Lloyd-Jones | A Major | 2 | 11B | 142 BPM | ||
The Triumph of Neptune: Sunday Morning (Intermezzo) - Remastered | Lord Berners, Sir Thomas Beecham, Philadelphia Orchestra | G Major | 2 | 9B | 96 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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