"The Truman Show: Truman Sleeps - Long Version" by Philip Glass, Valentina Lisitsa was released on March 2, 2015. The duration of The Truman Show: Truman Sleeps - Long Version is about 3 minutes long, at 3:24. Based on our data, "The Truman Show: Truman Sleeps - Long Version" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Valentina Lisitsa Plays Philip Glass by Philip Glass, Valentina Lisitsa. The song's track number on the album is #24 out of 24 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Truman Show: Truman Sleeps - Long Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Truman Show: Truman Sleeps - Long Version by Philip Glass, Valentina Lisitsa has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Truman Show: Truman Sleeps - Long Version being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Études: No. 18 | Philip Glass, Víkingur Ólafsson | G Minor | 0 | 6A | 87 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | ||
Glassworks: I. Opening | Signal, Michael Riesman | E♭ Major | 0 | 5B | 138 BPM | ||
Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM |
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