Gioachino Rossini, Annick Massis, Juan Diego Flórez, Carlo Lepore, Chiara Chialli, Marco Vinco, Orquesta Sinfónica de Galicia, Riccardo Frizza made "Matilde di Shabran / Act 1: "Ch'io fugga ha già timore"" available on January 1, 2006. With this song being about 5 minutes long, at 4:59, "Matilde di Shabran / Act 1: "Ch'io fugga ha già timore"" by Gioachino Rossini, Annick Massis, Juan Diego Flórez, Carlo Lepore, Chiara Chialli, Marco Vinco, Orquesta Sinfónica de Galicia, Riccardo Frizza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 56 in the song's album "Rossini: Matilde di Shabran". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Matilde di Shabran / Act 1: "Ch'io fugga ha già timore" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Matilde di Shabran / Act 1: "Ch'io fugga ha già timore" by Gioachino Rossini, Annick Massis, Juan Diego Flórez, Carlo Lepore, Chiara Chialli, Marco Vinco, Orquesta Sinfónica de Galicia, Riccardo Frizza having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Variazzioni di clarinetto in C Major | Gioachino Rossini, Prague Philharmonia, Jiří Bělohlávek, Ludmila Peterková | C Major | 1 | 8B | 128 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio | Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra | D Minor | 1 | 7A | 144 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM |
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