"Etudes-Tableaux, Op. 39: No. 6 in A minor - Live At The Royal Albert Hall/2012" by Sergei Rachmaninoff, Valentina Lisitsa was released on November 25, 2020. The duration of Etudes-Tableaux, Op. 39: No. 6 in A minor - Live At The Royal Albert Hall/2012 is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Etudes-Tableaux, Op. 39: No. 6 in A minor - Live At The Royal Albert Hall/2012's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 123 in the song's album "Rachmaninov - Piano". In this album, this song's track order is #33. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Etudes-Tableaux, Op. 39: No. 6 in A minor - Live At The Royal Albert Hall/2012 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes-Tableaux, Op. 39: No. 6 in A minor - Live At The Royal Albert Hall/2012 by Sergei Rachmaninoff, Valentina Lisitsa having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
5 Morceaux de fantaisie, Op. 3: No. 1 Elégie in E-Flat Minor | Sergei Rachmaninoff, Yuja Wang | E Minor | 0 | 9A | 139 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
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