"Holde Aida, Aida (Oper in 4 Akten) (Auszug)" by Leo Slezak was released on May 5, 2010. The duration of Holde Aida, Aida (Oper in 4 Akten) (Auszug) is about 3 minutes long, at 3:07. Based on our data, "Holde Aida, Aida (Oper in 4 Akten) (Auszug)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 14 out of 22. Holde Aida, Aida (Oper in 4 Akten) (Auszug) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holde Aida, Aida (Oper in 4 Akten) (Auszug) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt | Carl Millöcker, Ingeborg Hallstein, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 4 | 12B | 75 BPM | ||
Otello*: Niun mi tema (Otello) | Giuseppe Verdi, Leo Slezak, Studio Orchestra | F♯ Major | 1 | 2B | 171 BPM | ||
La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" | Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland | F Minor | 1 | 4A | 84 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Tito Gobbi, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Lucia di Lammermoor, Act II: Soffriva nel pianto | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 152 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
Gedichte von Joseph V. Eichendorff: No. 3. Verschwiegene Liebe | Hugo Wolf, Leo Slezak, Studio pianist | F Minor | 1 | 4A | 79 BPM |
Section: 0.6234004497528076
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