"Sonata in A Major for Viola & Pianoforte, Op. 101: I. Adagio" by Hans Gál, Christine Rutledge, David Gompper was released on February 10, 2023. Since Sonata in A Major for Viola & Pianoforte, Op. 101: I. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hans Gál, Christine Rutledge, David Gompper, Scott Conklin, Courtney Miller's "Hans Gál: Works for Viola, Piano, Violin & Oboe" album is number 5 out of 16. On top of that, United States appears to be the country where this track was created. Sonata in A Major for Viola & Pianoforte, Op. 101: I. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata in A Major for Viola & Pianoforte, Op. 101: I. Adagio by Hans Gál, Christine Rutledge, David Gompper to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | B Minor | 2 | 10A | 98 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Quartet for Flute and String Trio No.5 "Alla Turca" in A Major, K.331: I. Andante grazioso | Wolfgang Amadeus Mozart, Trio Quodlibet, Andrea Mogavero | A Major | 0 | 11B | 135 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Hexapoda: No. 4, Jim Jives | Robert Russell Bennett, Patrick Savage, Martin Cousin | B♭ Major | 2 | 6B | 59 BPM | ||
3 Zweistimmige Lieder, Op. 43/1: I. Wenn ich ein Vöglein wär | Robert Schumann, Barbican Quartet | N/A | N/A | N/A | 0 BPM | ||
Piano Quartet in B-Flat Major, Op. 13: IV. Allegro vivace | Hans Gál, Katalin Kertész, Nichola Blakey, Cressida Nash, Sarah Beth Briggs | F Major | 1 | 7B | 99 BPM | ||
Le Decameron des Jeunes Clarinettistes, 2e Suite: No. 20, Cavatine de Norma - Arr. pour Clarinette seule by H. Klosé | Hyacinthe Eléonore Klosé, Vincenzo Bellini, Luigi Magistrelli | E♭ Major | 0 | 5B | 115 BPM |
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