"Divertimento For Brass Ensemble And Percussion: Overture - Produced" by Karel Husa, Lawrence Sobol was released on 1998. With Divertimento For Brass Ensemble And Percussion: Overture - Produced being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Karel Husa's "KAREL HUSA: The Trojan Women , Fantasies For Orchestra , Divertimento For Brass Ensemble And Percussion" album is number 1 out of 12. On top of that, United States appears to be the country where this track was created. Divertimento For Brass Ensemble And Percussion: Overture - Produced is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Divertimento For Brass Ensemble And Percussion: Overture - Produced by Karel Husa, Lawrence Sobol to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paris Sketches: No. 3. Pere Lachaise | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 0 | 8A | 135 BPM | ||
Candide: IV. Glitter and Be Gay | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | A♭ Major | 1 | 4B | 78 BPM | ||
Hymn to a Blue Hour | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 69 BPM | ||
Southern Harmony: III. Exhilaration | Donald Grantham, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 3 | 9B | 98 BPM | ||
Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
Kingfishers Catch Fire: I. Following falls and falls of rain | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 0 | 9B | 73 BPM | ||
Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco - Alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
Wedding in the Carpathians (1938): Allegro vivo - Moderato - Allegretto | Paul Constantinescu, Oliver Triendl, Norddeutsche Philharmonie, Marcus Bosch | F Major | 0 | 7B | 108 BPM |
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