Wolfgang Amadeus Mozart, Leon Spierer, Emil Maas, Heinz Kirchner, Rainer Zepperitz, Berliner Philharmoniker, Karl Böhm made "Serenata notturna in D Major, K. 239: I. Marcia (Maestoso)" available on January 1, 1989. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Erik Satie, Aldo Ciccolini, Raúl Zambrano, Tempus Fugit Orquesta, Christian Gohmer, Wolfgang Amadeus Mozart, Berliner Philharmoniker, Wiener Philharmoniker, Karl Böhm's "Mozart: Eine Kleine Nachtmusik" album is number 5 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Serenata notturna in D Major, K. 239: I. Marcia (Maestoso)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) by Wolfgang Amadeus Mozart, Leon Spierer, Emil Maas, Heinz Kirchner, Rainer Zepperitz, Berliner Philharmoniker, Karl Böhm to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: II. Andante | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | F Major | 0 | 7B | 72 BPM | ||
Viola Concerto in B-Flat Major: I. Allegro con spiritoso | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | B♭ Major | 1 | 6B | 117 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Beethoven: Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto | Ludwig van Beethoven, Daniel Barenboim, Berliner Philharmoniker | E Minor | 0 | 9A | 132 BPM | ||
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
Das listige Bauernmädchen: No. 14, Tempo di marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Sinfonia In E Flat, Wq. 183 No. 2: 2. Larghetto | Carl Philipp Emanuel Bach, Münchener Bach-Orchester, Karl Richter | B♭ Major | 0 | 6B | 169 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM |
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