"String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento" by Antonín Dvořák, Escher String Quartet was released on January 5, 2018. Since String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Dvořák: String Quartet No. 12 - Tchaikovsky: String Quartet No. 1 - Borodin: String Quartet No. 2 by Escher String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento by Antonín Dvořák, Escher String Quartet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Sonata In B Minor, K. 33 | Domenico Scarlatti, Ingolf Wunder | B Minor | 1 | 10A | 93 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
5 Stücke im Volkston, Op. 102: I. Mit Humor ("Vanitas vanitatum") | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 1 | 7B | 112 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17, R. 185: II. Andante sostenuto, quasi adagio | Camille Saint-Saëns, Romain Descharmes, Malmö Symphony Orchestra, Marc Soustrot | G Minor | 0 | 6A | 69 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
Symphony in D Minor: Symphony in D Minor: II. Allegretto | César Franck, Philippe Herreweghe, Orchestre des Champs-Élysées | F♯ Major | 0 | 2B | 90 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Romance for Violin and Strings in D Major | Johann Peter Salomon, Daniel Hope, Zurich Chamber Orchestra | D Major | 1 | 10B | 89 BPM |
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