Johann Sebastian Bach, Jean-François Paillard, Maxence Larrieu, Orchestre de chambre Jean-François Paillard made "Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double (Recorded 1962)" available on March 25, 2022. The duration of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double (Recorded 1962) is about 3 minutes long, at 3:09. Based on our data, "Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double (Recorded 1962)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 110 out of 169 in Bach: Brandenburg Concertos, Keyboard Concertos, Violin Concertos & Orchestral Suites by Johann Sebastian Bach, Jean-François Paillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double (Recorded 1962)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double (Recorded 1962) by Johann Sebastian Bach, Jean-François Paillard, Maxence Larrieu, Orchestre de chambre Jean-François Paillard is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |
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