"Variations on an Original Theme, Op.36 'Enigma' (1986 Digital Remaster): IX. Nimrod" by Sir Adrian Boult, London Symphony Orchestra was released on 2003. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 37 in Classical Heartbreakers by Various Artists. In terms of popularity, Variations on an Original Theme, Op.36 'Enigma' (1986 Digital Remaster): IX. Nimrod is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op.36 'Enigma' (1986 Digital Remaster): IX. Nimrod by Sir Adrian Boult, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta - Andante | Pyotr Ilyich Tchaikovsky, Yehudi Menuhin, Sir Adrian Boult, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 105 BPM | ||
Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | E♭ Major | 0 | 5B | 85 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM |
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