"Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia)" by Robert Schumann, Maria João Pires was released on April 11, 2020. The duration of Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home With Schumann by Robert Schumann. The song's track number on the album is #17 out of 97 tracks. The popularity of Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) by Robert Schumann, Maria João Pires has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Albumblatter, Op. 124: Schlummerlied | Robert Schumann, Dénes Várjon | B♭ Major | 1 | 6B | 146 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM |
Section: 0.7162914276123047
End: 0.7239840030670166