Robert Schumann, Maria João Pires's 'Schumann: Kinderszenen, Op. 15: IV. Bittendes Kind' came out on October 1, 1990. With Schumann: Kinderszenen, Op. 15: IV. Bittendes Kind being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Schumann : Kinderszenen, Waldszenen & Bunte Blätter". In this album, this song's track order is #4. In terms of popularity, Schumann: Kinderszenen, Op. 15: IV. Bittendes Kind is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Kinderszenen, Op. 15: IV. Bittendes Kind by Robert Schumann, Maria João Pires having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Davidsbündlertänze, Op. 6: XVII. Wie aus der Ferne | Robert Schumann, Jonathan Biss | B Major | 0 | 1B | 66 BPM | ||
Partita No. 1 in B Flat Major, BWV 825: I. Praeludium | Johann Sebastian Bach, Maria João Pires | E♭ Major | 0 | 5B | 66 BPM | ||
8 Fantasiestücke, Op. 12: 3. Warum? | Robert Schumann, Alfred Brendel | D♭ Major | 0 | 3B | 71 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 1: II. Andante | Muzio Clementi, Balazs Szokolay | F Major | 1 | 7B | 99 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Spanische Liebeslieder, Op. 138: 1. Vorspiel | Robert Schumann, Emanuel Geibel, Christian Gerhaher, Gerold Huber, Julia Kleiter | G Minor | 1 | 6A | 105 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
String Quartet No. 1 in A Minor, Op. 41 No. 1: II. Scherzo. Presto | Robert Schumann, Quatuor Hanson | A Minor | 2 | 8A | 106 BPM |
Section: 0.6874184608459473
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