Leonard Bernstein, Matthew Gee made "Brass Music: 3. Elegy For Mippy II" available on June 6, 2020. With Brass Music: 3. Elegy For Mippy II being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 73 out of 96 in American Composers by Leonard Bernstein, George Gershwin, Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Brass Music: 3. Elegy For Mippy II is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Brass Music: 3. Elegy For Mippy II by Leonard Bernstein, Matthew Gee is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 78 BPM | ||
Les animaux modèles Suite, FP 111: II. Le lion amoureux | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E Minor | 3 | 9A | 86 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): L'istesso tempo - Più mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 84 BPM | ||
Mass: IX. Gospel-Sermon: "God Said" - Live | Leonard Bernstein, Timothy McDevitt, Zachary James, Julia Burrows, J.D. Webster, Lyn Philistine, Benjamin Krumreig, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | C Minor | 3 | 5A | 147 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Mass / IV. Confession: I. Confiteor - Live | Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, Temple University Concert Choir | B Minor | 1 | 10A | 124 BPM | ||
Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | ||
Symphony No.25 In G Minor, K. 173dB (K.183) USE KV183/y25: Allegro con brio | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Minor | 1 | 6A | 151 BPM |
Section: 0.8058514595031738
End: 0.8097987174987793