Jean-Marie Leclair I, Guido Rimonda, Giulia Rimonda's 'Sonata in A Major for Two Violins, Op. 3, No. 2: 3. Allegro' came out on September 1, 2017. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Guido Rimonda, Camerata Ducale's "Le Violon Noir" album is number 12 out of 20. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Sonata in A Major for Two Violins, Op. 3, No. 2: 3. Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata in A Major for Two Violins, Op. 3, No. 2: 3. Allegro by Jean-Marie Leclair I, Guido Rimonda, Giulia Rimonda to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
Leclair: Violin Concerto in D Major, Op. 7 No. 2: III. Allegro | Jean-Marie Leclair, Jean-François Paillard, Gerard Jarry, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 127 BPM | ||
6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor | C Minor | 3 | 5A | 76 BPM | ||
Sonata No. 5 in E Minor, RV 40, Op. 14: I. Largo | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | E♭ Minor | 1 | 2A | 140 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM |
Section: 0.5977416038513184
End: 0.6015427112579346