Francisco António de Almeida, Catia Moreso, Carlos Mena, Os Músicos do Tejo, Marcos Magalhaes's 'Il trionfo d'amore, Pt. 2: Part II: Recitativo: Eterni numi, oh quanto son diversi dagli umani disegni (Giano, Arsindo)' came out on October 2, 2015. With Il trionfo d'amore, Pt. 2: Part II: Recitativo: Eterni numi, oh quanto son diversi dagli umani disegni (Giano, Arsindo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 39 in Almeida: Il trionfo d'amore by Francisco António de Almeida, Ana Quintans, Carlos Mena, Joana Seara, Fernando Guimarães, Marcos Magalhaes. In terms of popularity, Il trionfo d'amore, Pt. 2: Part II: Recitativo: Eterni numi, oh quanto son diversi dagli umani disegni (Giano, Arsindo) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il trionfo d'amore, Pt. 2: Part II: Recitativo: Eterni numi, oh quanto son diversi dagli umani disegni (Giano, Arsindo) by Francisco António de Almeida, Catia Moreso, Carlos Mena, Os Músicos do Tejo, Marcos Magalhaes is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Solomon HWV 67: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) | George Frideric Handel, Lucie Horsch, Charlotte Barbour-Condini, Academy of Ancient Music, Bojan Čičić | A Major | 3 | 11B | 123 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Il vaticinio di Pallade, e di Mercurio: "Ogni fronda ch’è mossa dal vento" | Francisco António de Almeida, Anonymous, Real Câmara, Enrico Onofri, Ana Quintans | E♭ Minor | 1 | 2A | 94 BPM |
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