Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus
Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti
Mozart: Requiem
2:51 January 1, 1992
BPM
100
Key
B♭ Major
Camelot
6B

Embed

Share Link

Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus - Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti Information

Acousticness
98%
Danceability
21%
Energy
27%
Instrumentalness
78%
Liveness
7%
Loudness
67%
Speechiness
4%
Valence
7%
Popularity
Loudness
-19.6 dB

Summary

"Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus" by Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti had its release date on January 1, 1992. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Sir Georg Solti's "Mozart: Requiem" album is number 16 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus BPM

We consider the tempo marking of Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus by Wolfgang Amadeus Mozart, Arleen Auger, Cecilia Bartoli, Vinson Cole, René Pape, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem in D minor, K.626: Benedictus: Pater noster - Ecce Agnus Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Divertimento In D Major KV 334: Menuetto by Florian Heyerick, Hca, Jacob Händel, Schwetzingen, Olga Nodel, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester MannheimDivertimento In D Major KV 334: MenuettoFlorian Heyerick, Hca, Jacob Händel, Schwetzingen, Olga Nodel, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester MannheimD Major110B148 BPM
Sonatina No. 1 in C Major, Op. 36: II. Andante by Lang LangSonatina No. 1 in C Major, Op. 36: II. AndanteLang LangF Major17B176 BPM
Concerto for Flute and Harp in C Major, K. 299: III. Allegro by Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard EdlingerConcerto for Flute and Harp in C Major, K. 299: III. AllegroWolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard EdlingerC Major18B88 BPM
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante by George Frideric Handel, English Baroque Soloists, John Eliot GardinerHandel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. AndanteGeorge Frideric Handel, English Baroque Soloists, John Eliot GardinerD Major210B125 BPM
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) by Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-JensenDavide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus)Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-JensenD Minor07A144 BPM
Sinfonia in D Major, BWV 1045: I. Allegro by Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-BrühlSinfonia in D Major, BWV 1045: I. AllegroJohann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-BrühlD Major310B98 BPM
Jazz Suite No. 2: 4. Waltz I by Dmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyJazz Suite No. 2: 4. Waltz IDmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyB♭ Major26B178 BPM
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double by Johann Sebastian Bach, Akademie für Alte Musik BerlinOverture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - DoubleJohann Sebastian Bach, Akademie für Alte Musik BerlinB♭ Minor03A125 BPM
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato by Franz Schubert, Alfred Brendel6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderatoFranz Schubert, Alfred BrendelG Minor06A103 BPM
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro by Domenico Scarlatti, Balazs SzokolayKeyboard Sonata in D Minor, K.9/L.413/P.65: AllegroDomenico Scarlatti, Balazs SzokolayF Major17B118 BPM
ISRC
GBF079140916
Label
L-M Records/RCA Records