"Gnossienne No. 3" by Erik Satie, Yitkin Seow was released on June 13, 1989. The duration of Gnossienne No. 3 is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Gnossienne No. 3's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Satie: Gymnopédies, Gnossiennes & Other Piano Music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Gnossienne No. 3's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gnossienne No. 3 by Erik Satie, Yitkin Seow having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude De Concert, Op. 19, No. 2 in A Major - Duo-Art 5726 | Eduardo Poldini, Peter Phillips, Desider Vecsei | A Major | 1 | 11B | 69 BPM | ||
Fruhling. Op. 57.: No. 3, Blumenstuck - Duo-Art 66448 | Moritz Moszkowski, Rudolph Reuter, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Fire Pianostykker, Op. 9: III. Berceuse | Signe Lund, Rune Alver | G Minor | 2 | 6A | 120 BPM | ||
Gnossienne No. 6 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Grandes études de Paganini, S. 141: IV. Vivo in E Major "Arpeggio" (After Caprice No. 1) | Franz Liszt, Marc-André Hamelin | E Major | 1 | 12B | 92 BPM | ||
Infinite Power | Stanley Roth, Vincent & A Secret, Lucy Atkinsons | A♭ Major | 0 | 4B | 78 BPM | ||
Po zarostlém chodníčku - Series I: IV. Frýdecká panna Maria | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) | Nandor Gotz, Erik Satie, Balazs Szokolay | F Minor | 0 | 4A | 109 BPM | ||
Poulenc: Sonata for Piano 4-Hands, FP 8: I. Prelude | Francis Poulenc, Emmanuel Strosser, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM | ||
Preludio de las Profecías Olvidadas | Luciano Keys | F Major | 3 | 7B | 99 BPM |
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