Allan Pettersson, Antal Doráti, Anders Larsson, Nordic Chamber Orchestra, Christian Lindberg's '8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 5. Mens flugorna surra' came out on January 1, 2009. The duration of 8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 5. Mens flugorna surra is about 3 minutes long, at 3:02. Based on our data, "8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 5. Mens flugorna surra" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Pettersson, A.: 8 Barefoot Songs / Concertos for Strings Nos. 1-2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, 8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 5. Mens flugorna surra's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 5. Mens flugorna surra by Allan Pettersson, Antal Doráti, Anders Larsson, Nordic Chamber Orchestra, Christian Lindberg having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor "Accademico": I. Allegro pesante | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Symphony No. 9: 3 Bars After Figure 27 | Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg | C Minor | 1 | 5A | 91 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
Symphony No. 9: Ih. Wie von Anfang - Live | Gustav Mahler, Verbier Festival Orchestra, Daniel Harding | D♭ Major | 0 | 3B | 79 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Riccardo Muti, Philadelphia Orchestra | D Major | 1 | 10B | 123 BPM | ||
Valses nobles et sentimentales M 61b VI. Assez vif | Maurice Ravel, Paavo Järvi, Orchestre de Paris | G Major | 1 | 9B | 129 BPM |
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