Methodist Central Hall Choir, Westminster, John Chapman made "Wesley: Earth, Rejoice, Our Lord Is King! (Ephraim) - 1. Earth, Rejoice, Our Lord Is King!" available on January 1, 1985. With Wesley: Earth, Rejoice, Our Lord Is King! (Ephraim) - 1. Earth, Rejoice, Our Lord Is King! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 61 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. In terms of popularity, Wesley: Earth, Rejoice, Our Lord Is King! (Ephraim) - 1. Earth, Rejoice, Our Lord Is King! is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Wesley: Earth, Rejoice, Our Lord Is King! (Ephraim) - 1. Earth, Rejoice, Our Lord Is King! by Methodist Central Hall Choir, Westminster, John Chapman is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Celtic Collection: No. 2, Circle Me, Lord | Margaret Rizza, The Sarum Voices, Sarum Consort, Cathy Lamb, Ben Lamb | D Major | 1 | 10B | 108 BPM | ||
Jesus Has Come | I-to Loh, Tapestry Chamber Singers | C Major | 1 | 8B | 83 BPM | ||
The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
With Joy We Meditate the Grace | The Coventry Singers | E♭ Major | 2 | 5B | 91 BPM | ||
Psalm 51 (To St Kilda) | The Psalms Sung | G Major | 4 | 9B | 146 BPM | ||
Mass in D Major, Op. 86, B. 153: III. Credo | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | B♭ Major | 1 | 6B | 79 BPM | ||
Adam lay ybounden | John Ireland, Lincoln Cathedral Choir, Aric Prentice | C Minor | 1 | 5A | 81 BPM | ||
Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | A Major | 2 | 11B | 59 BPM | ||
Lord, Let Me Love You More and More | Christopher Walker | C Major | 1 | 8B | 137 BPM | ||
O God, Our Help in Ages Past | William Croft, Jamal Sutton, Sidney Sussex College Choir, Cambridge, David Skinner | C Major | 2 | 8B | 95 BPM |
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