- BPM
- 59
- Key
- A Major
- Camelot
- 11B
Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir - Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir Information
- Acousticness
- 26%
- Danceability
- 15%
- Energy
- 22%
- Instrumentalness
- 9%
- Liveness
- 29%
- Loudness
- 77%
- Speechiness
- 3%
- Valence
- 23%
- Popularity
- 5%
- Loudness
- -13.755 dB
Summary
Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir's 'Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir' came out on January 1, 1985. With Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir BPM
The tempo marking of Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir by Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Wesley: Father of Everlasting Grace (Stamford) - 4. Till, Added to That Heavenly Choir Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | |
 | I Shall See (with The Singers) | Michael John Trotta | E Major | 0 | 12B | 77 BPM | |
 | How Deep the Father's Love | Sharon Singers | G Major | 3 | 9B | 137 BPM | |
 | Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | |
 | Mo Mo P' oludande Mi Mbe | Bode Afolabi | E♭ Major | 2 | 5B | 108 BPM | |
 | The Celtic Collection: No. 2, Circle Me, Lord | Margaret Rizza, The Sarum Voices, Sarum Consort, Cathy Lamb, Ben Lamb | D Major | 1 | 10B | 108 BPM | |
| Wesley: Ye Servants of God (Laudate Dominum) - 4. Then Let Us Adore | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | B♭ Major | 3 | 6B | 58 BPM | |
 | Seraphim | Sumphonia | D Major | 2 | 10B | 132 BPM | |
 | Psalm 100, Genevan Psalter | Stephanie Martin | G Major | 3 | 9B | 139 BPM | |
 | Psalm 14 | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 2 | 9B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5770502090454102
End: 0.5822882652282715