Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra's 'Marina (Barcarola)' came out on July 18, 2014. With Marina (Barcarola) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zarzuelas y Coros by Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra. The song's track number on the album is #17 out of 20 tracks. Based on our statistics, Marina (Barcarola)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Marina (Barcarola) by Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra has a tempo of 146 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Marina (Barcarola) being at 146 BPM, the half-time would be 73 BPM with a double-time of 292 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puerta Del Sol Madrileña | Gran Banda Taurina | C Major | 4 | 8B | 124 BPM | ||
La Verbena de la Paloma. Donde Vas Con Mantón de Manila | Orquesta Lírica de Barcelona | D Major | 4 | 10B | 67 BPM | ||
La canción del olvido: Serenata soldado de Nápoles | Pablo Sorozábal | C Major | 4 | 8B | 117 BPM | ||
Madrid | Orquesta Maravella, Luis Ferrer | F Major | 3 | 7B | 102 BPM | ||
La del Soto del Parral: "Preludio"-"Jota"-"No Hay en Tierras de Segovia" | Reveriano Soutullo, Juan Vert, A.Carreño, I.Fdez. Sevilla, Gran Orquesta Sinfonica | D Major | 4 | 10B | 87 BPM | ||
¡Vivan las Juradas! | Banda Municipal de Música de Soria | E♭ Major | 4 | 5B | 124 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
La gran vía: Introducción y polka de las calles | Pablo Sorozábal | C Major | 5 | 8B | 114 BPM | ||
Asómate Prenda Mía / Siempre Que Voy a una Boda / Ya Me Canso de Rondar: Jotas de Ronda - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 82 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM |
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