"La del Soto del Parral: "Preludio"-"Jota"-"No Hay en Tierras de Segovia"" by Reveriano Soutullo, Juan Vert, A.Carreño, I.Fdez. Sevilla, Gran Orquesta Sinfonica was released on December 2, 2013. La del Soto del Parral: "Preludio"-"Jota"-"No Hay en Tierras de Segovia" is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. This song is part of Zarzuela: La del Soto del Parral by I.Fdez. Sevilla, A.Carreño, Juan Vert, Reveriano Soutullo, Gran Orquesta Sinfonica. The song's track number on the album is #7 out of 9 tracks. La del Soto del Parral: "Preludio"-"Jota"-"No Hay en Tierras de Segovia" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La del Soto del Parral: "Preludio"-"Jota"-"No Hay en Tierras de Segovia" by Reveriano Soutullo, Juan Vert, A.Carreño, I.Fdez. Sevilla, Gran Orquesta Sinfonica has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La del Soto del Parral: "Preludio"-"Jota"-"No Hay en Tierras de Segovia" being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodríguez Álvarez | Antonio Roca, Agrupación Musical Ntra. Sra. del Pasico | C Major | 1 | 8B | 96 BPM | ||
Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
Obertura Caballeria Ligeria | La Orquesta Y Coros Del Festival De Praga | A Major | 2 | 11B | 123 BPM | ||
Grever / Arr Schifrin: Around the World Part 11: Te quiero dijiste | Maria Grever, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 1 | 9B | 66 BPM | ||
Luisa Fernanda, Acto i: Introducción y habanera del saboyano | José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Estrella Alsina, Pedro Lavirgen | D Minor | 2 | 7A | 88 BPM | ||
Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor | Jacques Offenbach, Jules Barbier, Michel Carre, Pierre Barbier, Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra | F Major | 2 | 7B | 167 BPM | ||
La Gran Via: Tango de la menegilda - 2006 - Remaster | Joaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos | E Minor | 0 | 9A | 83 BPM | ||
El Buhonero | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM | ||
La Leyenda del Beso | Ataúlfo Argenta | A♭ Major | 2 | 4B | 148 BPM | ||
Come Sinfonia | Giuseppe Di Stefano | B Major | 3 | 1B | 109 BPM |
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