17'-23' - Karlheinz Stockhausen Information

Acousticness
86%
Danceability
36%
Energy
3%
Instrumentalness
77%
Liveness
35%
Loudness
44%
Speechiness
5%
Valence
16%
Popularity
Loudness
-33.414 dB

Summary

"17'-23'" by Karlheinz Stockhausen was released on 1988. The duration of 17'-23' is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 17'-23''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Stockhausen - MANTRA". In this album, this song's track order is #5. Based on our statistics, 17'-23''s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

17'-23' BPM

With 17'-23' by Karlheinz Stockhausen having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

17'-23' Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata and Interludes for Prepared Piano: Sonata V by John Cage, Joanna MacGregorSonata and Interludes for Prepared Piano: Sonata VJohn Cage, Joanna MacGregorG Minor26A126 BPM
Preludes in Quarter-Tone System: IV by Ivan Wyschnegradsky, Josef Christof, Steffen SchleiermacherPreludes in Quarter-Tone System: IVIvan Wyschnegradsky, Josef Christof, Steffen SchleiermacherF♯ Major42B148 BPM
The White Raven by Laura CannellThe White RavenLaura CannellE♭ Minor12A70 BPM
Stimmung: Model 9 by Karlheinz Stockhausen, Paul Hillier, Theatre Of VoicesStimmung: Model 9Karlheinz Stockhausen, Paul Hillier, Theatre Of VoicesA♭ Major04B108 BPM
Rebonds B by Iannis Xenakis, Christoph SietzenRebonds BIannis Xenakis, Christoph SietzenC Major88B124 BPM
Stimmung: Stimmung: Model 27 by Karlheinz Stockhausen, Paul Hillier, Theatre Of VoicesStimmung: Stimmung: Model 27Karlheinz Stockhausen, Paul Hillier, Theatre Of VoicesF♯ Major02B167 BPM
Metastaseis by Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo TamayoMetastaseisIannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo TamayoA Minor28A68 BPM
Thème de Catherine by Pierre HenryThème de CatherinePierre HenryC Minor05A209 BPM
The Sinking of the Titanic: 4. Interlude by Gavin Bryars, Gavin Bryars EnsembleThe Sinking of the Titanic: 4. InterludeGavin Bryars, Gavin Bryars EnsembleA♭ Major04B78 BPM
Piano & Violoncello 13 by Irena And Vojtech HavloviPiano & Violoncello 13Irena And Vojtech HavloviC Minor15A66 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.585132360458374

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