"17'-23'" by Karlheinz Stockhausen was released on 1988. The duration of 17'-23' is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 17'-23''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Stockhausen - MANTRA". In this album, this song's track order is #5. Based on our statistics, 17'-23''s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 17'-23' by Karlheinz Stockhausen having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
The White Raven | Laura Cannell | E♭ Minor | 1 | 2A | 70 BPM | ||
Stimmung: Model 9 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | A♭ Major | 0 | 4B | 108 BPM | ||
Rebonds B | Iannis Xenakis, Christoph Sietzen | C Major | 8 | 8B | 124 BPM | ||
Stimmung: Stimmung: Model 27 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | F♯ Major | 0 | 2B | 167 BPM | ||
Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 68 BPM | ||
Thème de Catherine | Pierre Henry | C Minor | 0 | 5A | 209 BPM | ||
The Sinking of the Titanic: 4. Interlude | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 78 BPM | ||
Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM |
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