"Der Rosenkavalier: Walzerfolge No. 2, TrV 227a" by Seattle Symphony Orchestra was released on September 4, 2012. Since Der Rosenkavalier: Walzerfolge No. 2, TrV 227a is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Strauss: Der Rosenkavalier: Orchestral Suite and Waltz Sequences". In this album, this song's track order is #3. In terms of popularity, Der Rosenkavalier: Walzerfolge No. 2, TrV 227a is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier: Walzerfolge No. 2, TrV 227a by Seattle Symphony Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Pavane, Op. 50 (version for choir and orchestra) | Gabriel Fauré, Seattle Symphony Chorale, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 79 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Symphony No. 3 in F major, Op. 90: II. Andante | Seattle Symphony Orchestra | C Major | 0 | 8B | 74 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Antar (After N. Rimsky-Korsakov): No. 7. Ravel: Allegretto | Maurice Ravel, Andre Dussollier, Orchestre National De Lyon, Leonard Slatkin | F Major | 0 | 7B | 138 BPM | ||
Orfeo ed Euridice, Wq. 30: Dance Of The Furies | Christoph Willibald Gluck, Orpheus Chamber Orchestra | D Minor | 4 | 7A | 150 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM |
Section: 1.2600820064544678
End: 1.2640061378479004