Zhou Tian, Chanticleer's 'Trade Winds: III. Strange how we can walk (in L.A.)' came out on April 21, 2023. The duration of Trade Winds: III. Strange how we can walk (in L.A.) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Trade Winds: III. Strange how we can walk (in L.A.)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "On a Clear Day". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Trade Winds: III. Strange how we can walk (in L.A.) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trade Winds: III. Strange how we can walk (in L.A.) by Zhou Tian, Chanticleer having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Studies in English Folk Song: No. 6, Allegro vivace | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Americana | Marcel Barsotti | F Major | 4 | 7B | 81 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso IV | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | B♭ Major | 3 | 6B | 122 BPM | ||
Concerto for Orchestra: II. Indigo | Zhou Tian, Cincinnati Symphony Orchestra, Louis Langrée | D♭ Major | 1 | 3B | 134 BPM | ||
Fergana | Cercle Musical Primitiva d'Albaida | D♭ Major | 4 | 3B | 124 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Tango Jalousie: II | Jacob Gade, Christian Lindberg, Prince of Denmark Air Force Band | E♭ Minor | 1 | 2A | 138 BPM | ||
Smiling After the Rain | Yukiko Nishimura, Trade Winds Recording Ensemble | F Major | 1 | 7B | 108 BPM |
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