Trade Winds: III. Strange how we can walk (in L.A.)
Zhou Tian, Chanticleer
On a Clear Day
2:11 April 21, 2023
BPM
93
Key
B Minor
Camelot
10A

Embed

Share Link

Trade Winds: III. Strange how we can walk (in L.A.) - Zhou Tian, Chanticleer Information

Acousticness
98%
Danceability
39%
Energy
15%
Instrumentalness
1%
Liveness
5%
Loudness
62%
Speechiness
9%
Valence
33%
Popularity
Loudness
-22.733 dB

Summary

Zhou Tian, Chanticleer's 'Trade Winds: III. Strange how we can walk (in L.A.)' came out on April 21, 2023. The duration of Trade Winds: III. Strange how we can walk (in L.A.) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Trade Winds: III. Strange how we can walk (in L.A.)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "On a Clear Day". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Trade Winds: III. Strange how we can walk (in L.A.) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Trade Winds: III. Strange how we can walk (in L.A.) BPM

With Trade Winds: III. Strange how we can walk (in L.A.) by Zhou Tian, Chanticleer having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Trade Winds: III. Strange how we can walk (in L.A.) Key

The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Six Studies in English Folk Song: No. 6, Allegro vivace by Joseph BartzSix Studies in English Folk Song: No. 6, Allegro vivaceJoseph BartzF Minor04A72 BPM
Approaching the Crazed Myth Hunter by Milo PaulusApproaching the Crazed Myth HunterMilo PaulusF♯ Major32B65 BPM
Americana by Marcel BarsottiAmericanaMarcel BarsottiF Major47B81 BPM
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso IV by Ferdinand David, Christian Lindberg, Swedish Chamber OrchestraTrombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso IVFerdinand David, Christian Lindberg, Swedish Chamber OrchestraB♭ Major36B122 BPM
Concerto for Orchestra: II. Indigo by Zhou Tian, Cincinnati Symphony Orchestra, Louis LangréeConcerto for Orchestra: II. IndigoZhou Tian, Cincinnati Symphony Orchestra, Louis LangréeD♭ Major13B134 BPM
Fergana by Cercle Musical Primitiva d'AlbaidaFerganaCercle Musical Primitiva d'AlbaidaD♭ Major43B124 BPM
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) by RTÉ National Symphony Orchestra, Havergal BrianDr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache)RTÉ National Symphony Orchestra, Havergal BrianF Minor04A85 BPM
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV by Antonín Dvořák, Wolfgang Sawallisch, Philadelphia OrchestraDvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIVAntonín Dvořák, Wolfgang Sawallisch, Philadelphia OrchestraB♭ Minor13A92 BPM
Tango Jalousie: II by Jacob Gade, Christian Lindberg, Prince of Denmark Air Force BandTango Jalousie: IIJacob Gade, Christian Lindberg, Prince of Denmark Air Force BandE♭ Minor12A138 BPM
Smiling After the Rain by Yukiko Nishimura, Trade Winds Recording EnsembleSmiling After the RainYukiko Nishimura, Trade Winds Recording EnsembleF Major17B108 BPM
ISRC
US23A1561242
Label
L-M Records/RCA Records

Section: 0.6794943809509277

End: 0.6872923374176025