"Salve Regina in A minor - Edited by Robert King: 1. Salve Regina" by Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset was released on January 1, 1999. The duration of Salve Regina in A minor - Edited by Robert King: 1. Salve Regina is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Salve Regina in A minor - Edited by Robert King: 1. Salve Regina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Pergolesi: Stabat Mater; Salve Regina in F minor; Salve Regina in A minor". In this album, this song's track order is #18. Salve Regina in A minor - Edited by Robert King: 1. Salve Regina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salve Regina in A minor - Edited by Robert King: 1. Salve Regina by Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Livietta e Tracollo · Intermezzo Secondo: XV. 15 Recitativo: Par che ci pigli gusto | Giovanni Battista Pergolesi, Carlotta Colombo, Boston Early Music Festival Chamber Ensemble, Jesse Blumberg, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Magnificat in D Major, BWV 243: Suscepit Israel | Johann Sebastian Bach, Agnes Mellon, Philippe Herreweghe, La Chapelle Royale, Gérard Lesne, Barbara Schlick | B♭ Minor | 0 | 3A | 131 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
An Evening Hymn, Z 193 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Stabat Mater in F Minor, P. 77: Cujus animam gementem | Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard | E Minor | 5 | 9A | 140 BPM | ||
Laudate pueri Dominum: IV. Quis sicut Dominus | Giovanni Battista Pergolesi, Rachel Harnisch, Orchestra Mozart, Claudio Abbado, Swiss Radio Choir, Diego Fasolis | G Major | 1 | 9B | 80 BPM |
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