Valeria Szervánszky, Ronald Cavaye's 'Játékok (Games) for Piano - Book 3: 161. Double Notes - Addition to Bartók’s Mikrokosmos, 162. Signs in Black, 163. Stubborn Knots, 164. Hommage À Schubert (Consolation for Sarah), 165. Hommage À Petrovics' came out on January 1, 1993. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Valeria Szervánszky, Ronald Cavaye's "Kurtág: Játékok (Games) for Piano - First Complete Recording Books 1-4" album is number 9 out of 38. On top of that, United States appears to be the country where this track was created. In terms of popularity, Játékok (Games) for Piano - Book 3: 161. Double Notes - Addition to Bartók’s Mikrokosmos, 162. Signs in Black, 163. Stubborn Knots, 164. Hommage À Schubert (Consolation for Sarah), 165. Hommage À Petrovics is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Játékok (Games) for Piano - Book 3: 161. Double Notes - Addition to Bartók’s Mikrokosmos, 162. Signs in Black, 163. Stubborn Knots, 164. Hommage À Schubert (Consolation for Sarah), 165. Hommage À Petrovics by Valeria Szervánszky, Ronald Cavaye to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolations, S172/R12: No. 2. Un poco piu mosso | Franz Liszt, Philip Thomson | B Major | 0 | 1B | 76 BPM | ||
D'un vieux jardin | Lili Boulanger, Emile Naoumoff | D Major | 0 | 10B | 83 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Opus 23 | Dustin O'Halloran | F Major | 0 | 7B | 71 BPM | ||
Siren Sounds Waltz: I. Introduction | Alma Deutscher | A Major | 0 | 11B | 76 BPM | ||
Pas trop vite | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 76 BPM | ||
Romance, Op. 23 | Amy Beach, Dawn Wohn, Esther Park | A Major | 1 | 11B | 83 BPM | ||
Dawn - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 79 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM |
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