"Ave Maria, CG 89a (Arr. Emanuele Vianelli)" by Charles Gounod, Andrea Bocelli, Emanuele Vianelli was released on April 12, 2020. The duration of Ave Maria, CG 89a (Arr. Emanuele Vianelli) is about 3 minutes long, at 3:27. Based on our data, "Ave Maria, CG 89a (Arr. Emanuele Vianelli)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Andrea Bocelli's "Music For Hope: From the Duomo di Milano" album is number 2 out of 5. Ave Maria, CG 89a (Arr. Emanuele Vianelli) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria, CG 89a (Arr. Emanuele Vianelli) by Charles Gounod, Andrea Bocelli, Emanuele Vianelli to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Salut d'Amour, Op. 12 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | F Major | 1 | 7B | 79 BPM | ||
Ave Maria, CG89a (from Bach Prelude in C, BWV 846) | Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom | F Major | 1 | 7B | 131 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM |
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