"String Quartet No. 2: I. Furioso ed appassionat" by Ulrich Leyendecker, Minguet Quartett was released on 2015. Since String Quartet No. 2: I. Furioso ed appassionat is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ulrich Leyendecker, Minguet Quartett, Volker Hemken's "Leyendecker: String Quartets Nos. 1-3 & Bass Clarinet Quintet" album is number 2 out of 8. On top of that, Germany appears to be the country where this track was created. Based on our statistics, String Quartet No. 2: I. Furioso ed appassionat's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 2: I. Furioso ed appassionat by Ulrich Leyendecker, Minguet Quartett to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Petrushka, K12 (1947 Version): II. Petrushka's Room | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Finestra Sul Tempo | Alessandro Gozzo, Cats Rule the World | C Major | 3 | 8B | 127 BPM | ||
Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
Beginning of the End Suite | Albert Glasser | E♭ Minor | 4 | 2A | 78 BPM | ||
Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Florestan Trio | F♯ Minor | 0 | 11A | 77 BPM | ||
Jackson Pollock (1950-51) for two Cellos: II Pollock Paints | Morton Feldman, Lucas Fels, Tobias Moster | E Minor | 0 | 9A | 64 BPM | ||
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Violin Concerto: II. Adagio | Ulrich Leyendecker, Roland Greutter, North German Radio Symphony Orchestra, Johannes Kalitzke | E Minor | 0 | 9A | 77 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM |
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