Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan's 'La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia"' came out on January 1, 1973. With this song being about 5 minutes long, at 5:27, "La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia"" by Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #10. La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 4: "O Mimì, tu più non torni" (Duetto) - "Che ora sia" by Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Vier letzte Lieder, TrV 296: I. Frühling | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 100 BPM | ||
Carmen / Act 3: Choeur: "A dos cuartos!" | Georges Bizet, Anne-Marie Tostain, Michel Marinpouille, Alain Pilard, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | F Minor | 4 | 4A | 103 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Wie du warst! Wie du bist!" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | B Major | 1 | 1B | 88 BPM | ||
Pelléas und Mélisande, Op. 5: II. Heftig | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 3 | 8A | 83 BPM |
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