Felix Mendelssohn, James Ehnes, Philharmonia Orchestra, Vladimir Ashkenazy's 'Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato' came out on November 1, 2010. Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, James Ehnes, Philharmonia Orchestra, Vladimir Ashkenazy's "Mendelssohn: Violin Concerto & Octet in E-Flat" album is number 1 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato by Felix Mendelssohn, James Ehnes, Philharmonia Orchestra, Vladimir Ashkenazy to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: II. Un poco adagio | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | E Major | 1 | 12B | 84 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
Piano Concerto No. 1 in C Major, Op. 15: III. Rondo: Allegro scherzando | Martha Argerich, Bavarian Radio Symphony Orchestra | B Minor | 1 | 10A | 96 BPM | ||
Polonaise in B-Flat Major for Violin and Orchestra, D. 580 | Franz Schubert, David Zinman | B♭ Major | 1 | 6B | 98 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Barcarolle in F Major, Op. 108 | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | A Major | 1 | 11B | 77 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | C Minor | 0 | 5A | 143 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Martha Argerich, London Symphony Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 111 BPM |
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