Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists's 'Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou"' came out on 1985. The duration of Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Purcell : King Arthur". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. In terms of popularity, Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" by Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | ||
Les Contes d'Hoffmann / Act II: Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | D Major | 1 | 10B | 129 BPM | ||
Trumpet Tune | Bertalan Hock, György Geiger, Henry Purcell | D Major | 2 | 10B | 101 BPM | ||
Also sprach Zarathustra, Op. 30: 1. Einleitung | Richard Stauss, Slovenian Symphony Orchestra, Anton Nanut | F Major | 1 | 7B | 147 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D♭ Minor | 2 | 12A | 117 BPM | ||
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Alastair Miles, Mark Tucker, Nigel Robson, Bryn Terfel, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 2 | 2B | 175 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 4 | 8B | 115 BPM | ||
Adagio for Strings and Organ in G minor | Remo Giazotto, Maria Teresa Garatti, I Musici | C Minor | 1 | 5A | 111 BPM | ||
Casta Diva | Jeni Bern | F Major | 1 | 7B | 77 BPM | ||
Der Freischütz, J. 277: Der Freischutz, Act III: Was gleicht wohl auf Erden, "Huntsmen's Chorus" | Carl Maria von Weber, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Johannes Wildner | B♭ Major | 1 | 6B | 109 BPM |
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