"Symphony No. 20 in B-Flat Major: II. Andante con moto" by Johann Christoph Friedrich Bach, Kolner Kammerorchester, Helmut Müller-Brühl was released on 1974. Since Symphony No. 20 in B-Flat Major: II. Andante con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Christoph Friedrich Bach, Kolner Kammerorchester, Helmut Müller-Brühl's "Johann Christoph Friedrich Bach: Symphonies Nos. 6, 10 & 20" album is number 7 out of 9. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Symphony No. 20 in B-Flat Major: II. Andante con moto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 20 in B-Flat Major: II. Andante con moto by Johann Christoph Friedrich Bach, Kolner Kammerorchester, Helmut Müller-Brühl to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G minor, after unknown, BWV 983: Adagio | Ivo Janssen | G Minor | 0 | 6A | 72 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
Boccherini: String Quartet in D Major, Op. 8 No. 1, G. 165: II. Adagio | Luigi Boccherini, Quartetto Noûs | C Major | 3 | 8B | 80 BPM | ||
Bach, CPE: Harpsichord Concerto in D Minor, H. 427: II. Poco andante | Carl Philipp Emanuel Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | D♭ Minor | 1 | 12A | 82 BPM | ||
Symphony No. 4 in D Major, Hob. I:4: II. Andante | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | D Minor | 0 | 7A | 114 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Primavera-花降る日 | 冬野ユミ | C Major | 1 | 8B | 170 BPM | ||
Handel: Keyboard Suite in A Major, HWV 426: II. Allemande | George Frideric Handel, Andrei Gavrilov | D Minor | 0 | 7A | 176 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 9, Nils Rekves Halling. Maestoso | Edvard Grieg, Rune Alver | F♯ Minor | 0 | 11A | 82 BPM |
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