"Symphony No. 4 in D Major, Hob. I:4: II. Andante" by Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer was released on November 1, 2014. Symphony No. 4 in D Major, Hob. I:4: II. Andante is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's "Haydn Edition, Vol. 1" album is number 12 out of 173. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Symphony No. 4 in D Major, Hob. I:4: II. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in D Major, Hob. I:4: II. Andante by Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quintet No.7 for Guitar and Strings in E minor, G.451: 2. Adagio | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 124 BPM | ||
Symphony No. 7 in C Major, "Le Midi": IV. Finale, allegro | Franz Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | F Minor | 2 | 4A | 174 BPM | ||
Romance for Violin and Orchestra | Johann Peter Salomon, Midori Seiler, Concerto Köln | A Major | 1 | 11B | 121 BPM | ||
String Quartet No.7 in E flat, KV.160 III.Presto | Gunther Hasselmann | A Major | 1 | 11B | 134 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 145 BPM | ||
Das listige Bauernmädchen: No. 14, Tempo di marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Cello Concerto in E-Flat Major, G. deest: I. Maestoso | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 2 | 6B | 117 BPM | ||
Symphony No. 49 in F Major: I. Allegro spiritoso | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 82 BPM | ||
Sinfonia concertante in E-Flat Major, W. C37: II. Allegro | Johann Christian Bach, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | B♭ Minor | 0 | 3A | 69 BPM |
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