Frederic Norton, John Hollingsworth, John Wakefield, Sinfonia Of London, Martin Lawrence, Ian Wallace, Hervey Alan, Marion Grimaldi, The Linden Singers's 'Chu Chin Chow: Serenade' came out on January 1, 2000. The duration of Chu Chin Chow: Serenade is about 3 minutes long, at 3:13. Based on our data, "Chu Chin Chow: Serenade" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 12 in Chu Chin Chow by Frederic Norton, Sinfonia Of London, John Hollingsworth, The Linden Singers, Various Perfomers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Chu Chin Chow: Serenade is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chu Chin Chow: Serenade by Frederic Norton, John Hollingsworth, John Wakefield, Sinfonia Of London, Martin Lawrence, Ian Wallace, Hervey Alan, Marion Grimaldi, The Linden Singers is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Long Ago and Far Away - Cover Girl, 1944 | Martha Mears, Gene Kelly | C Minor | 2 | 5A | 175 BPM | ||
26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
In the Court of King Louis | Patch the Pirate | B♭ Major | 6 | 6B | 95 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM | ||
The Mikado: There Is the Beauty In the Bellow of the Blast | Eric Idle, Felicity Palmer | E♭ Major | 2 | 5B | 109 BPM | ||
2 Pieces for Strings from "Henry V": No. 2, Touch Her Soft Lips and Part | William Walton, Louis Lane, Cleveland Pops Orchestra | C Major | 2 | 8B | 54 BPM | ||
Who Cares? (after Gershwin): Somebody loves me | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | G Minor | 1 | 6A | 134 BPM | ||
Rodgers / Arr. Kostal: Climb Ev'ry Mountain (From "The Sound of Music") | The John Wilson Orchestra, John Wilson | C Major | 3 | 8B | 104 BPM | ||
I Don’t Want To Be A Soldier / They Didn’t Believe Me | Cast of Oh What A Lovely War, John Yap, Sophie Marchant | F Major | 2 | 7B | 147 BPM | ||
Darkness Falls | Valorie Sherburn | C Major | 4 | 8B | 118 BPM |
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