"Who Cares? (after Gershwin): Somebody loves me" by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee was released on July 27, 2010. The duration of Who Cares? (after Gershwin): Somebody loves me is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Who Cares? (after Gershwin): Somebody loves me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hershy Kay, Simon Lee, John Baltimore's "Kay, H.: Who Cares? [Ballet]" album is number 3 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Who Cares? (after Gershwin): Somebody loves me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Who Cares? (after Gershwin): Somebody loves me by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato (1) | Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko | F Minor | 0 | 4A | 65 BPM | ||
Gaîté parisienne: Polka I | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | E♭ Major | 2 | 5B | 163 BPM | ||
Jeux d'enfants, Op. 22, WD 56 (Orch. H. Kay & R. Douglas): No. 9. Colin-maillard | Georges Bizet, Roy Douglas, Hershy Kay, San Francisco Ballet Orchestra, Martin West | D♭ Major | 0 | 3B | 96 BPM | ||
Carmen Fantasy - IV. Habenera: (Bizet) | Joseph Alessi | B♭ Major | 0 | 6B | 114 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Introduction and Waltz (From "The Slipper And The Rose") | Angela Morely | B♭ Major | 2 | 6B | 83 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
If Only He'd Looked My Way (From "Gay's the Word") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | C Major | 1 | 8B | 81 BPM | ||
Let Me Call You Sweetheart | Memphis Jazz Orchestra | A Major | 2 | 11B | 172 BPM | ||
Simon Boccanegra, Prologue: Allegro moderato | Francesco Maria Piave, Boris Christoff, Gabriele Santini, Giuseppe Campora, Giuseppe Conca, Orchestra Del Teatro Dell'Opera Di Roma, Paolo Caroli, Paolo Dari, Sylvia Bertona, Tito Gobbi, Victoria de los Ángeles, Walter Monachesi | B Major | 2 | 1B | 70 BPM |
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