"Mass in C Minor, "The Great," K. 427: IV. Gratias" by Amor Artis Chorale was released on April 27, 2004. With Mass in C Minor, "The Great," K. 427: IV. Gratias being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 4 out of 25. On top of that, United States appears to be the country where this track was created. Mass in C Minor, "The Great," K. 427: IV. Gratias is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, "The Great," K. 427: IV. Gratias by Amor Artis Chorale to be Lento (slowly) because the track has a tempo of 52 BPM, a half-time of 26BPM, and a double-time of 104 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semele, Chorus. Aria: Semele, "endless Pleasure" | George Frideric Handel, Amor Artis Chorale, English Chamber Orchestra | B Minor | 2 | 10A | 67 BPM | ||
Una Povera Ragazza | Niccolò Piccinni, Gianluigi Gelmetti | F Major | 1 | 7B | 132 BPM | ||
Cantata "Der fried sei mit dir" BWV 158 | John Ostendorf, Ruth Waterman, Virginia Brewer, Amor Artis Chorale, Amor Artis Baroque Orchestra, Johannes Somary | C Minor | 1 | 5A | 91 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: I. Magnificat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 118 BPM | ||
Alcina, HWV 34, Act I: Questo è il cielo di contenti | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Alex Rosen, Anna Bonitatibus, Valerio Contaldo, Elizabeth DeShong, Magdalena Kozená, Erin Morley | B Minor | 2 | 10A | 166 BPM | ||
Judas Maccabaeus, HWV63: 42. Recitative: See, see yon flames | Handel, A Young, H Harper, Wandsworth School Boys Choir, English Chamber Orchestra, H Lester, J Shirley-Quirk, H Watts, J Somary, Amor Artis Chorale | B Minor | 2 | 10A | 67 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM | ||
In Windsor Forest: No. 2, Drinking Song | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Joseph Haydn, Barbara Bonney, Anne Howells, Anthony Rolfe Johnson, Stephen Roberts, London Symphony Chorus, City of London Sinfonia, Richard Hickox | D Major | 2 | 10B | 57 BPM |
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