"Circé, Act II Scene 7: Prélude" by Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy was released on May 31, 2023. With Circé, Act II Scene 7: Prélude being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 110 in Desmarest: Circé by Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Circé, Act II Scene 7: Prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Circé, Act II Scene 7: Prélude by Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: IX. Qui sedes ad dexteram Patris: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | A♭ Major | 0 | 4B | 132 BPM | ||
Te deum, LWV 55: II. Pleni sunt coeli et terra | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Voi Chascoltate | Sigismondo D'India, Musica Sequenza, BURAK, Diana Ramirez | F♯ Major | 2 | 2B | 86 BPM | ||
Nisi Dominus, RV 608: VII. Gloria Patri | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Messe à double chœur: Et incarnatus est | Henri Desmarets, Jordi Savall, Le Concert Des Nations | F♯ Major | 1 | 2B | 91 BPM | ||
Te Deum "de Lyon": XIX. In te Domine speravi | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Legrenzi / Arr. Pluhar: Con cent’occhi | Giovanni Legrenzi, Christina Pluhar, Bruno de Sá | B Minor | 1 | 10A | 80 BPM | ||
Te Deum "de Lyon": IX. Tu de victo mortis aculeo | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Vénus & Adonis: Overture | Henri Desmarets, Les Talens Lyriques, Christophe Rousset, Chœur de l'Opéra national de Lorraine, Karine Deshayes, Sebastien Droy, Henk Neven, Anna Maria Panzarella, Ingrid Perruche, Jean Teitgen, Anders J. Dahlin | F Major | 2 | 7B | 112 BPM |
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