Giovanni Domenico del Giovane da Nola, The Hilliard Ensemble, Paul Hillier's 'Tri ciechi siamo' came out on 1988. The duration of Tri ciechi siamo is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Tri ciechi siamo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Hilliard Ensemble, Paul Hillier's "Madrigals" album is number 26 out of 48. The popularity of Tri ciechi siamo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tri ciechi siamo by Giovanni Domenico del Giovane da Nola, The Hilliard Ensemble, Paul Hillier to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cancionero musical de palacio: No. 429, Una montaña pasando | Garcimuñoz, Música Temprana, Adrian Rodriguez van der Spoel, Olalla Alemán | F Major | 1 | 7B | 111 BPM | ||
Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Trahe me - Trahe me, post te curremus | Giovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert | F♯ Minor | 1 | 11A | 89 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM | ||
Cum statua Nabucodonasor - Hugo, Hugo, princeps invidie - Magister invidie (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 126 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Messe de Nostre Dame: Gloria | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | C Major | 1 | 8B | 65 BPM | ||
Susato: Het derdren musyck boexken "Danserye": Ronde VII "Il estoit une fillette" (D'après Janequin) | Tylman Susato, Michel Piguet, Ricercare-Ensemble Zürich | B♭ Major | 1 | 6B | 73 BPM |
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