Nicol Matt, Johann Sebastian Bach, Heike Hümmer, Jens Wollenschläger, Martina Rotbauer, Robert Sagasser, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Nordic Chamber Choir, Ute Petersilge's 'Matthäus Passion Bwv 244: Herzlich Thut Mich Verlangen' came out on March 28, 2007. With Matthäus Passion Bwv 244: Herzlich Thut Mich Verlangen being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Matthäus Passion Bwv 244: Herzlich Thut Mich Verlangen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Matthäus Passion Bwv 244: Herzlich Thut Mich Verlangen by Nicol Matt, Johann Sebastian Bach, Heike Hümmer, Jens Wollenschläger, Martina Rotbauer, Robert Sagasser, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Nordic Chamber Choir, Ute Petersilge is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, RV 621: Amen | Antonio Vivaldi, Marion Newman, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Jesu, meine Freude, BuxWV 60: VI. Gute Nacht, ihr Sünden | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Caroline Weynants, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 125 BPM | ||
テレマン: フルート、シャリュモー、オーボエと2台のコントラバスのための協奏曲 ト長調 〜第3楽章 | Georg Philipp Telemann, 有田正広, ラ・ストラヴァガンツァ・ケルン | F♯ Major | 5 | 2B | 136 BPM | ||
Trio Sonata in D Major, Op. 3 No. 2: I. Grave | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | D♭ Major | 0 | 3B | 64 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 13, "Nein, Geliebter" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | E Major | 0 | 12B | 76 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Deutsche Messe, D. 872: Zum Eingang: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM |
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