"Don Giovanni, K.527 / Act 2: "Ah! taci, ingiusto core"" by Wolfgang Amadeus Mozart, Martina Arroyo, Ezio Flagello, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm was released on August 1, 1967. With this song being about 5 minutes long, at 5:03, "Don Giovanni, K.527 / Act 2: "Ah! taci, ingiusto core"" by Wolfgang Amadeus Mozart, Martina Arroyo, Ezio Flagello, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Orchestre du Théatre National de Prague, Karl Böhm's "Mozart: Don Giovanni" album is number 12 out of 63. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527 / Act 2: "Ah! taci, ingiusto core" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Don Giovanni, K.527 / Act 2: "Ah! taci, ingiusto core" by Wolfgang Amadeus Mozart, Martina Arroyo, Ezio Flagello, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Der Stein der Weisen, Act I: Aria. So ein schönes Weibchen | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM |
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