"Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel"" by Simone Kermes was released on March 13, 2009. Since Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 7 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rodelinda, HWV 19: Act III - "Ahi perché, giusto ciel" by Simone Kermes to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il mar de le mie pene | Alessandro Scarlatti, Simone Kermes, Claudio Osele | A Minor | 1 | 8A | 131 BPM | ||
Les Indes galantes, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Allerseelen, Op. 10, Nr. 8 | Richard Strauss, Simone Kermes | A Minor | 1 | 8A | 131 BPM | ||
Queste pungente spine | Benedetto Ferrari, Christina Pluhar | G Major | 1 | 9B | 115 BPM | ||
Aber bitte mit Sahne | Udo Jürgens, Simone Kermes, Amici Veneziani | F Major | 3 | 7B | 146 BPM | ||
Amadigi di Gaula, HWV 11, Act I, Scene 4: Ah, spietato | George Frideric Handel, Simone Kermes | E♭ Minor | 0 | 2A | 87 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Rameau: "Feuillages verts naissez" | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | A♭ Major | 0 | 4B | 81 BPM | ||
Andromeda liberata (Serenata Veneziana): Recitativo 3: Sciolta dai ceppi e già sottratta a morte | Anonymus, Simone Kermes, Max Emanuel Cenčić, Venice Baroque Orchestra, Andrea Marcon | E♭ Minor | 1 | 2A | 66 BPM |
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