Nikos Skalkottas, BBC Symphony Orchestra, Nikos Christodoulou made "36 Greek Dances, AK 11, Series 1: Series III: III. Kleftikos" available on February 1, 2003. The duration of 36 Greek Dances, AK 11, Series 1: Series III: III. Kleftikos is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. 36 Greek Dances, AK 11, Series 1: Series III: III. Kleftikos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Skalkottas: 36 Greek Dances / The Return of Ulysses". In this album, this song's track order is #3. Based on our statistics, 36 Greek Dances, AK 11, Series 1: Series III: III. Kleftikos's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 36 Greek Dances, AK 11, Series 1: Series III: III. Kleftikos by Nikos Skalkottas, BBC Symphony Orchestra, Nikos Christodoulou having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
The New Four Seasons - Spring: III. Dances with Nymphs (After Violin Concerto No. 1, Op. 8, RV 269, III. Danza pastorale, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Tristan und Isolde, WWV 90: VII, Schmachtende Liebe, jauchzende Lust - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Concerto for String Orchestra: III. Vivo | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A♭ Major | 1 | 4B | 142 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): IV. First Dance - Dance of the Princess in the Forest, Pt. 2 | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIII. Allegro alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Herodiade, Act IV: Ballet: Les Gauloises | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 0 | 7B | 135 BPM |
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