Steal The Pig
Reece Shearsmith, Sarah Lancashire, David Bamber, Jack Edwards, Mark Meadows, Adrian Scarborough, The Betty Blue Eyes Company
Betty Blue Eyes (Original London Cast Recording) [Deluxe]
4:59 January 1, 2011
BPM
111
Key
G Major
Camelot
9B

Embed

Share Link

Steal The Pig - Reece Shearsmith, Sarah Lancashire, David Bamber, Jack Edwards, Mark Meadows, Adrian Scarborough, The Betty Blue Eyes Company Information

Acousticness
54%
Danceability
54%
Energy
41%
Instrumentalness
0%
Liveness
68%
Loudness
83%
Speechiness
10%
Valence
59%
Popularity
Loudness
-9.926 dB

Summary

Reece Shearsmith, Sarah Lancashire, David Bamber, Jack Edwards, Mark Meadows, Adrian Scarborough, The Betty Blue Eyes Company made "Steal The Pig" available on January 1, 2011. With this song being about 5 minutes long, at 4:59, "Steal The Pig" by Reece Shearsmith, Sarah Lancashire, David Bamber, Jack Edwards, Mark Meadows, Adrian Scarborough, The Betty Blue Eyes Company is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 22 in Betty Blue Eyes (Original London Cast Recording) [Deluxe] by George Stiles, Anthony Drewe. In terms of popularity, Steal The Pig is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Steal The Pig BPM

The tempo marking of Steal The Pig by Reece Shearsmith, Sarah Lancashire, David Bamber, Jack Edwards, Mark Meadows, Adrian Scarborough, The Betty Blue Eyes Company is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Steal The Pig Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
With You by Telly Leung, Katie Rose ClarkeWith YouTelly Leung, Katie Rose ClarkeD Major010B110 BPM
Everybody Says Don't by Harry GuardinoEverybody Says Don'tHarry GuardinoC Major58B106 BPM
The Joy of the Theatre - Live by Ian Bartholomew, Charlie Stemp, The The Joy of the Theatre - LiveIan Bartholomew, Charlie Stemp, The "Half a Sixpence" 2016 London CastB Minor510A130 BPM
There's A Chance by Shoshana BeanThere's A ChanceShoshana BeanA♭ Major64B90 BPM
Prologue: The Old Red Hills Of Home by Jeff Edgerton, Don Chastain, Parade EnsemblePrologue: The Old Red Hills Of HomeJeff Edgerton, Don Chastain, Parade EnsembleG Minor46A92 BPM
Working On The Land by Martin Turner, Matt Rawle, Rebecca Lock, Susan Jane Tanner, Jerôme Pradon, The 'Martin Guerre' Company, Marcus CunninghamWorking On The LandMartin Turner, Matt Rawle, Rebecca Lock, Susan Jane Tanner, Jerôme Pradon, The 'Martin Guerre' Company, Marcus CunninghamB Major31B117 BPM
Only In The Movies by Brent Carver, Kiss of the Spider Woman Original Cast Recording EnsembleOnly In The MoviesBrent Carver, Kiss of the Spider Woman Original Cast Recording EnsembleC Minor25A136 BPM
Hominy Grits by Bob Stillman, Christine Ebersole, John Mcmartin, Michael Potts, Sarah Hyland, Kelsey FowlerHominy GritsBob Stillman, Christine Ebersole, John Mcmartin, Michael Potts, Sarah Hyland, Kelsey FowlerD♭ Major53B141 BPM
Sweet Charity by Denis O'HareSweet CharityDenis O'HareB♭ Minor43A77 BPM
The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] by Jill Santoriello, Natalie Toro, Kevin EarleyThe Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley]Jill Santoriello, Natalie Toro, Kevin EarleyF Minor64A119 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5255424976348877

End: 0.5297505855560303