Jill Santoriello, Natalie Toro, Kevin Earley's 'The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley]' came out on July 16, 2015. The duration of The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] is about 3 minutes long, at 3:04. Based on our data, "The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 29 in A Tale of Two Cities - International Studio Cast Recording of the Broadway Musical by Jill Santoriello. In terms of popularity, The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] by Jill Santoriello, Natalie Toro, Kevin Earley is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I'll Save The Girl | Kyle Mcarthur, Jake Levy | G Major | 5 | 9B | 132 BPM | ||
Prologue / Wrecked in the Keys - Live | Alyssa Martyn, Jason Huza, Jeremiah James, Jill Santoriello, Wade McCollum | E Minor | 3 | 9A | 121 BPM | ||
Daisy Daisy | Patrick Thomas Hawes, John Morton, Phil Cobb, Martin Owen, Kevin Earley, Paul Clarvis | D Major | 3 | 10B | 174 BPM | ||
Back to Before | Marin Mazzie | B Minor | 3 | 10A | 88 BPM | ||
All This Time | Megan McGinnis, Paul Alexander Nolan | F Major | 2 | 7B | 82 BPM | ||
The Ballad Of Farquaad | Christopher Sieber | D♭ Major | 5 | 3B | 126 BPM | ||
Keep It To Yourself | The Clockmaker's Daughter Studio Cast, Ramin Karimloo, Graham Hoadly, Lauren James Ray | F♯ Major | 4 | 2B | 145 BPM | ||
Opening Number | Santino Fontana, Reg Rogers | D Major | 4 | 10B | 140 BPM | ||
When I Was Nineteen | Julie Atherton | A Major | 4 | 11B | 99 BPM | ||
At the End of the World - Live | Alyssa Martyn, Jason Huza, Jeremiah James, Jill Santoriello, Wade McCollum | C Major | 5 | 8B | 76 BPM |
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