The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley]
Jill Santoriello, Natalie Toro, Kevin Earley
A Tale of Two Cities - International Studio Cast Recording of the Broadway Musical
3:04 July 16, 2015
BPM
119
Key
F Minor
Camelot
4A

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The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] - Jill Santoriello, Natalie Toro, Kevin Earley Information

Acousticness
48%
Danceability
53%
Energy
59%
Instrumentalness
0%
Liveness
11%
Loudness
87%
Speechiness
6%
Valence
37%
Popularity
Loudness
-8.065 dB

Summary

Jill Santoriello, Natalie Toro, Kevin Earley's 'The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley]' came out on July 16, 2015. The duration of The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] is about 3 minutes long, at 3:04. Based on our data, "The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 29 in A Tale of Two Cities - International Studio Cast Recording of the Broadway Musical by Jill Santoriello. In terms of popularity, The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] BPM

The tempo marking of The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] by Jill Santoriello, Natalie Toro, Kevin Earley is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

The Way It Ought to Be (Paris) [feat. Natalie Toro & Kevin Earley] Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5052361488342285

End: 0.5088789463043213